"When I was a child I climbed out of my bedroom window, on to the roof and up to the top. It was about six in the morning. I sat astride the rooftop, exhilarated and frightened. Coming down was harder as the tiles kept slipping, making me lose my foothold.
High Wire is a dream of walking in the air, out into nothing. But it has an urban background and the high-rise buildings provide the frame and support. The dream of reaching the sky is also a modernist dream of cities in the air, inspired by a utopian belief in progress.
Every time I see [the performer] turning back I remember hearing him shout, from where I was standing on another rooftop, ‘C’est pas possible!’ But something was possible, he returned safely. And something emerged from the actuality of the walk, which was a moment when reality became more of a dream than the dream itself.”